So I’ve been finding it really hard to write for the last couple of days. Partly this is due to exhaustion, but I think it’s because I’ve reached a huge transition in the novel, and I suck at writing clean transitions. I’ve reached the point of the book where the world opens up for my heroine, Helen. She’s introduced to the city where Jude lives, and this city will remain the scenic center of the novel until the climax of the plot. This is a very key point in the story, because at this point, my two protagonists are just getting to know each other, and the city opens up a whole new can of worms as far as the main conflict of the story.
The problem I’m having right now is a limitation of sight. I can see the rest of the storyline clearly, but the transition is all a blur. It’s important at this point to develop the relationship between the protagonists, and I’m having trouble keeping their characters constant. I feel like I’m losing them in a fog; I can’t see where they are or what’s happening. What’s even more frustrating is that usually what I do when I’m struggling with transitions is to write the scenes directly before and directly after the fog, just to organize my thoughts. Sometimes writing the figurative destination of a scene can help you to clear up the details of how the characters came to that point. But in this case, I made a pact with myself when I began writing this novel that I would NOT under ANY circumstances jump ahead in the plot or write the scenes out of sequential order. (I did this because it tends to distract me and lead to a crap-load of re-editing) I don’t want to break my promise, but I also don’t want to get in a rut just because a few scenes are foggy and refuse to be put into words at the present.
I’m still not sure what I’m going to do. I don’t know if I trust myself enough to not get distracted if I temporarily skip over parts of the storyline.
In other news, I’ve been realizing that lately I’ve been developing a new plot line in my noggin. Usually it would concern me and I would fear that I’m losing interest or patience in my current project. The reason I don’t feel that way now is because… (drum-roll, people…) the ideas that are developing are for a sequel.
I have never in a gazillion years thought that I would be able to write a sequel for any project. To be honest, my attention span for my own work is very short, and I’ve always had trouble sticking with a novel let alone thinking of a follow-up. But yet, the ideas are coming forth without warning. This is more exciting to me than pretty much anything right now. The fact that I’m subconsciously developing a sequel means that I am even more invested in my characters than I thought. XD
I love my protagonists to death, and I’m already imagining their lives after the end of my current novel. This fact is extremely motivating for me for my current project; if I know there will be a sequel, then I absolutely have to finish this novel, and ASAP, before the ideas burst out of my head!!! Can I get an A-WHOOP!